WRITTEN_BY David REVOY -
-
84 comments"Cool, which AI did you use for this?", "his work is definitely AI", "this is AI art and I find it disheartening"... Here is a sample of the comments I am getting more and more about my art.
**And this is not fine.**
In a world where now legions of AIartists are invading platforms like Social Medias, DeviantArt or ArtStation, I see the opinion of the crowd starting to put digital art and AIArt in the same bag. As a digital artist who creates my artwork like a real painting, **I find this situation very unfair**. I'm using a tablet, layers, digital paints and digital brushes. I put hours of hard work into it. I don't just type in a prompt and hit enter to get my images.
That's why I started hashtagging my art on social media with **#HumanArt**, then **#HumanMade** as a clear indicator that my art was 'handmade' and not using Stable Diffusion, Dall-E, Midjourney or whatever AITools are out there now. I wanted to disambiguate that to stop getting the kind of comments I quoted at the beginning of this intro. But which hashtag is the best for that?
I had no idea, so I started a poll on [my Mastodon](https://framapiaf.org/@davidrevoy) timeline:
[](data/images/blog/2023/2023-06-29_ai-hashtag-poll-humanart-humanmade.jpg)
**Source:** https://framapiaf.org/@davidrevoy/110618065523294522
## The Results
With 954 people voting (thank you), #HumanMade got 55% of the vote compared to 30% for #HumanArt.
But what changed my mind was the diversity and richness of opinions I received in the comments. A lot of them were unlisted, not public or in PM so [you can't read them](https://framapiaf.org/@davidrevoy/110618065523294522). But they have definitely changed my mind on the subject. That's why I decided to write this blog post and talk about it a bit.
## Critiques about #HumanMade and #HumanArt
Firstly, #HumanArt felt like a contradiction to the famous #FurryArt tag for the furry community. Good point, and I don't want that.
Then #HumanMade was criticised because the AI was also human-made, so it lost its point. But most people could clearly understand what #HumanMade would mean under an artwork. So it didn't steal its 55% of the vote.
I also had a lot of #HandCrafted, #HandMade, #Art and other suggestions for variations.
## The popular #NoAI
I also got a lot of suggestions for #NoAI hashtags. I got a lot of funnier, and mostly more salty, variations. It was a lot of fun, but I don't want to rule out all artificial intelligence. Some of them might be based on ethical datasets in the future and be good tools. I'll explain that later in this post.
In any case, I have always tried to be in a mindset of 'for something' rather than 'against something'.
## Ai artist should be the one who tag their post
This was also a very popular feedback in the comments. Unfortunately, AIArtists rarely tag their work as seen on Social Medias, DeviantArt or ArtStation. And I understand them, because they have too many advantages not to.
First, they can fake an artist identity with little effort. Then they can give their art something more legitimate in their eyes and, by extension, in the eyes of their audience. Finally, they can probably avoid a lot of hateful comments and reports from anti-Ai artists on the platform.
So I don't expect them to ever do it. I hate this because it is unfair.
But lately I started to enjoy this behaviour in a new way, because this faking could be what wastes all the data sets and training models: [the AI eats itself](https://www.platformer.news/p/the-ai-is-eating-itself).
## Don't Hashtag at all
The last suggestion I often received was not to hashtag at all.
This was because writing #HumanArt, #HumanMade or #NoAI would immediately mark the post and the art as premium content for training future datasets. As I wrote in the previous chapter, getting human-made datasets is the future challenge for AI. I don't want to make it easier for them.
I can still write my ethics about "not using an AI image generator based on unethical datasets" in the info section of my social media profile, or just link to an article like the one I'm writing now.
## Conclusion and thoughts about AI
So I have made my decision: I will no longer hashtag my art with #HumanArt, #HumanMade or #NoAI.
I will continue to publish my digital art online, as I've been doing since the early 2000s. I will continue to publish [all](https://www.peppercarrot.com/en/artworks/artworks.html) under a permissive Creative Commons licence and with the source files, because that's how I like my art: free and libre.
Unfortunately, I'll never be able to prevent unethical AI companies from siphoning off my art collections. The damage has already been done: hundreds, if not thousands, of my illustrations and comics have been used to train all their AI. It's not hard to find evidence of this (e.g. [on haveibeentrained.com](https://haveibeentrained.com/?url=https://lh5.googleusercontent.com/proxy/LPlP9KL5ewuvjudmTEBRTQQZpAn4UJb09AhgBw-4pML9JyPbVsaX4VEuTnY9m7-3Y0-KjlaSQN2nF7b-qrjGHZopBq7O8NAI__9awwKHFT6Dn0Wa5QX8EstqX2Iyez3afvOmpbAOM0d5DovHGyFmfhqlM53ZbHHsDjJu=s0-d) or on the [browser for the Laion5B commons training dataset](https://rom1504.github.io/clip-retrieval/?back=https%3A%2F%2Fknn.laion.ai&index=laion5B-H-14&useMclip=false&query=pepper+and+carrot)).
I don't agree to that.
What are my options? Not much... I can't remove my art one by one from their database. My art has been copied to many wallpaper sites, galleries, forums, other projects. I don't have the resources to do that. I also can't exclude my future art from all the next scans. Also, protection methods like [Glaze](https://arxiv.org/pdf/2302.04222.pdf) seem like a really pale solution to the problem, I'm not [convinced by it](https://framapiaf.org/@stjepanlukac@mastodon.art/110621034955419503). Same goes for heavily watermarking my art...
Don't get me wrong: I have nothing against AI technology itself. It's everywhere these days. In phones to [enhance photos](https://ai.google/static/documents/portrait-light-case-study.pdf), on [3D software GPU denoisers](https://code.blender.org/2019/07/accelerating-cycles-using-nvidia-rtx/), on [translation tools](https://www.deepl.com/write), behind search engines, etc... The technique of neural networks, machine learning on datasets, is proving to be very efficient for certain tasks.
Even FLOSS projects like GMIC are developing [their own neural network library](https://twitter.com/gmic_eu/status/1574487981750046720). Of course, they'll be based on ethical datasets. As usual, my problem is not with the technology. It's with the governance and ethics of the one using such a technology.
For my part, I'll continue not to use generative AI in my work (Stable Diffusion, Dall-E, Midjourney and co). I have experimented with it on social media in the past, sometimes [seriously](https://framapiaf.org/@davidrevoy/108969346357981937), sometimes [impressed](https://framapiaf.org/@davidrevoy/108985184327745261), but mostly [sarcastically](https://framapiaf.org/@davidrevoy/109524190956229762).
I just don't like the AI process...
When I create a new piece of art, I don't express the idea to myself with words.
When I create a new piece of art, I don't text the idea to my brain.
It's a more complex mix of emotions, shapes, colours and textures. It's like capturing a rare scene from a dream that temporarily visits my brain. It doesn't require a translation layer of words. When I do this, I share an intimate part of my inner dream world. It goes beyond words to reach certain emotions, nostalgia and feelings.
With AI, AIArtists simply type in keywords for a subject. They season it with keywords, target the imitation of an artist or a style. And then they let randomness produce a result for them. Then they discover a result with - of course - embedded pictorial emotions, shapes, colours and textures. But are the emotions their own or just a by-product of their process? Either way, they can own those emotions.
AIArtists are just diggers for cool auto-generated artworks, the new digital [Readymade](https://en.wikipedia.org/wiki/Found_object) of our time. This technology seeks productivity for less effort and less cost. I think it is very appropriate for our times. It provides many writers with cheap illustrations for their book covers, editors for their articles, musicians for their album covers and AI artists with portfolios...
I understand we can't go back, this audience is now addicted to this empowerment. They can finally get illustrations quickly and cheaply. They'll treat any artists who fight against this as [Luddites](https://en.wikipedia.org/wiki/Luddite)...
But I'm going to go on here and say that I personally dislike this art, because it tells me nothing about its creators. What they are thinking, what their aesthetic taste is, what they had in them to draw that line or that brushstroke, what light shines into them, how they cover up their mistakes, their delicious inaccuracies with make-up... I want to see all this and follow the life of people, piece by piece.
I hope you will continue to follow and support my art, comics, articles and tutorials for the same reasons.
Header ilustration: **"This is not fine"**, [sources and hi-resolution here](https://www.peppercarrot.com/en/viewer/misc__2023-06-29_This-is-not-fine_by-David-Revoy.html) − CC-BY 4.0
WRITTEN_BY David REVOY -
-
27 comments
[info] Note: This article is **not sponsored**. I bought this hardware with my own money. It's also 2019 hardware, so you won't be able to buy it new anyway. [/info]
This blog post is a technical companion to the video I released last month: ["My solution for Mobile digital-painting on GNU/Linux"](https://www.davidrevoy.com/article972/my-solution-for-mobile-digital-painting-on-gnu-linux)
You can watch this video on:
- Peertube: https://peertube.touhoppai.moe/w/oU74hKW7xGuAfVjrL4Kkoi
- Youtube: https://youtu.be/bIJ0yYDOHrw
I'm going to give you my installation tips here to save you some time:
## Linux distro: Fedora KDE Spin (Plasma)
I tested the device on three KDE distros in April: Debian KDE Bullseye, Kubuntu 22.04 LTS and Fedora KDE 37. I ended up sticking with [Fedora KDE spin](https://fedoraproject.org/spins/kde/) because it gave me better performance and support for the hardware out of the box.
Also, the newer Plasma KDE had some interesting features and bug fix for a better touchscreen experience in general. In this respect, the Debian and Kubuntu packages were really old (in April).
Pity, I really wanted to install something more 'long term' on this machine and with less updates. But I prefered to keep the setup where I had the best fluidity while painting. Perhaps the latest Debian Bookworm, Kubuntu 23.04, which has been released since then, has filled the gap I experienced in April. I wish I could test this for you, but it takes a lot of time and I'm not really motivated to change distros now that everything works on this machine.
The drivers of the device were all really "plug and play" on Fedora KDE. Everything works except the fingerprint reader, and probably accelerometer and ambiant light sensor. But I don't use this features so I don't miss them.
For those who like to tweak, the [ArchLinux wiki](https://wiki.archlinux.org/title/Lenovo_ThinkPad_Yoga_370) proposes solutions for that.
**How-to install Fedora KDE spin?**
First you need to [download the ISO file of Fedora KDE here](https://fedoraproject.org/spins/kde/). Then, you need to write this ISO to a USB pendrive. You can [read the Fedora documentation](https://docs.fedoraproject.org/en-US/fedora/f36/install-guide/install/Preparing_for_Installation/#sect-preparing-boot-media) to get an idea of the process.
Once you have the USB pen drive ready, connect it to your computer (off), then press the power button and when the Lenovo logo appears, press F12. You'll see a 'boot menu' where you can select your USB pen drive. Fedora will then start in 'live mode' without installing anything, just for testing. The desktop will get a shortcut "Install to Hard Drive" to an application to install this system to your hard drive.
You can follow instructions on the Fedora doc for using the installer.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_fedora_net.jpg)
_Fedora KDE 37 in live session mode with the "About system" windows (the device was upgraded to 38 since this)._
## X11, not Wayland
Why not Wayland? I spent some time with it as it was the default session. On the plus side, it has much better touch and gesture support than X11, an on-screen keyboard that works pretty well by default on KDE Plasma, and similar performance when painting if I compare it to X11. Unfortunately, you can't calibrate colours or apply ICC colour calibration, and the option for managing the behaviour of the stylus mapping and buttons of the tablet are super limited and not enough featured to create professional art.
The Wayland session is still a no-go for artists, but it is getting closer. Shame, I really liked the better on-screen keyboard and touch support, but I'm not ready to trade bad colors/gamma and a non configurable stylus to that.
**How-to ?**
To use X11, just log-out your session after the first install, and on the login screen locate the menu on the bottom of the screen to select in what type of session you want to login. Set it to X11 only once, and then login: the greeter of KDE should remember this for all the next login.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_wayland_net.jpg)
_Photo just after receiving the unit and starting a live session on Fedora 37 KDE Spin. I grabbed the built-in mini pen and quickly installed KolourPaint to check the lag, precision and parallax. I was happy to see that everything was working fine._
## Keyboard: Onboard
The default plasma and touch experience on X11 requires workarounds. You'll need to use [Onboard](https://launchpad.net/onboard), set it up, and trigger the virtual keyboard manually with an icon you pin to your taskbar. It will serve you well for the occasional search while browsing the web, or for naming a file when you need to save to Krita. But don't expect to be able to use it to enter keyboard shortcuts while painting, or to comfortably type up an article.
To install onboard, open a terminal and type this (or Ctrl+C this, and Ctrl+Shift+V this in the terminal):
```
sudo dnf install onboard
```
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_onboard-keyboard_net.jpg)
_Onboard display keyboard in action with the theme I tweaked. Typing "Hello world!" into a terminal. Shot on the train._
## Installing Krita 5.1.5 as Appimage only
First, using the appimage for Krita on Linux is currently the only way to install Krita. Krita has reached such complexity in it's dependencies, library patches and framework that no distribution packager can package it correctly at the moment. The same goes for Flatpak and Snap.
So, [use the appimage provided by krita.org](https://krita.org/en/download/krita-desktop/).
You'll have to do some manual post-installation. Add your own menu entry launcher with the editor of the KDE Plasma menu, find a PNG for an icon, go to your file browser and right click on all your images, Kra files, to get the "open with" Krita appimage. It's a pain, but you'll avoid a lot of crashes, bugs and get better performance this way.
**How-to?**
Download [the appimage provided by krita.org](https://krita.org/en/download/krita-desktop/). The file (appimage) should now be on your Download directory. Move it to a place you prefer (I made a directory "sources" to store my software), and right-click on the appimage file. Go to Properties, then on the new panel "Permissions" tab, and we will check "Is Executable" checkbox. Double-click on it, Krita runs!
For more convenience, we will make a launcher. On your system menu (a Fedora logo), right-click. Select "Edit Applications". Unfold the "Graphics" category, and click on the top toolbar "New Item", Name it "Krita (appimage)", then you'll click at the end of the line of Program to select the appimage file to execute. You can also add a custom icon (search online for a good Krita logo PNG you'll save it along your appimage). Done.
For file association, right click on your image in the Dolphin file browser, then go to "Properties". In front of "Open with" you can press the "Change..." button and add your fresh menu entry Krita(appimage) to your list. Repeat this for your PNG, JPG, Krita files.
Yes, we are in 2023 and you are not dreaming, this long series of action is still the only good method to install Krita on GNU/Linux.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_appimage.jpg)
_Happy Carrot to get finally the appimage installed correctly_
## Setting-up Krita
Krita has a lot of default settings for touch that gave me a really bad time when I first tested my device: I had Krita randomly go to full screen (with no button to exit in tablet mode), or do a lot of 'undo' every time I put the palm of my hand on the device. The pop-up widget would blink at times, and random paint splotches would appear here and there on the canvas in places I didn't want.
**Disable default gestures:**
All this is set up by default in Krita. You have to disable them. In Input (1, picture below); remove all the gestures in (2). Ironically, you'll need access to a 'right click' because the menu to delete a line is hidden if you don't right click on the line (3).
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_krita-gesture-dangerous.jpg)
_How to disable the default gesture in Krita: it is hidden and the default settings are dangerous._
**Disable Touch Painting:**
Then in General (1, image below), in the Tools tab (2), you can uncheck Enable Touch Painting (3), this option enabled makes a lot of dots under my palm and it's not clear when I try to zoom.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_krita-paint-finger.jpg)
_Disabling the 'Touch Painting', so your finger are used only to zoom/pinch and not paint anything._
After that you should have a much better experience.
**Performances:**
The machine is not a powerhouse, so be careful with the new canvas size and keep drawing on canvases of around A4 at 300ppi maximum. For example, sketching in black and white feels good at large size. You can tweak your brushes by reducing the precision slider, adding a tiny bit of spacing and simplifying some dynamics. This will speed up Krita considerably. Also, of course, keep your document 8bit/RGBa: adding more channels or bit depth is a bad idea if you want more performance.
I do my quick painting with large brush strokes on an even smaller canvas, and when I'm happy with the result and want to get into the details, I can still upscale the canvas (changing its size). Detailing with a small brush on a very large canvas at a higher zoom level usually doesn't lag. The big impact is usually with large (complex) brushes on a large document zoomed back a lot. "Upscaling on the fly" was a common process before 2010 to match the power of the computers of the time. I started painting digitally long before that, so I'm used to managing the performance of my canvas in this way.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_old-stylus_net.jpg)
_A quick painting I did on the train, a "small" 2640x1485px size_
Artwork: [Sources and full resolution hosted here](https://www.peppercarrot.com/en/viewer/sketchbook__2023-04-10_Carrot-the-wizard_by-David-Revoy.html).
**Layout suggestions:**
Moving the entire panel to the opposite side of the palm is a good idea. The device has palm rejection, but there are minor problems here and there. It is better to avoid accidentally selecting an option or the 'wrong layer' when painting. Customizing the toolbar at the top is a good idea for quick access to Krita's functions. You can do this in Settings → Configure Toolbars.
## 3. Stylus
The device has a Wacom AES digitiser (which means "active", with a battery). The quality of the drawing is not comparable to the better Wacom EMR digitizer (electromagnetic technology, battery less and with less input lag). EMR is a technology found on Cintiqs and Intuos. But on this Thinkpad, the pen has been designed for business people who need to sign PDF documents: you have two buttons, the first of which isn't really a button, it's a trigger that puts the tip of your device in eraser mode. The second, at the top, is a real button, set by default to a middle-click pan action.
You'll also need to buy a stylus; the standard one that comes with the device is the size of a toothpick and not comfortable for drawing or painting. I bought Wacom's Bamboo Ink pen, but to my surprise, the pen was poorly designed. I had to put some textured tape on it to stop it slipping out of my hand, I removed the metal wire at the end of the pen holder, and I thickened the buttons with drops of varnish for nail (because I kept clicking them wrong without feeling them). I had only white color for this tweak but it was effective.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_stylus-customisation_net.jpg)
_DIY on the Wacom's Bamboo Ink, second gen._
But I soon got tired of changing the battery. One battery would only last 2 weeks. They are also rare AAAA. I can't find them in any shops here, so I have to buy them online. Of course, there came a time when I needed my device to draw something and all the batteries at home were dead.
😱😱😱
That's why I bought another pen: the Wacom Bamboo Ink 'Plus' pen, the latest generation, the one that charges via a USB-C connector on the side.
The battery is still very weak and discharge as quickly (and takes forever to charge up) but at least I can charge it before any critical use (e.g. workshop/teaching/demo).
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_a-new-stylus.jpg)
_The stylus I use in the video is the Bamboo Ink Plus. I bought black varnish to also put dots on the buttons so I can better feel them. I haven't been able to remove the metalic part. The body is improved and the grip, better. I'll not put tape on this one._
I only managed to customise the buttons using the xsetwacom command line, so that the first one can select a colour (control key) and the second one triggers the pop-up widget.
**How-to?**
I create a new text file (using Kwrite or Kate) and save it to a directory I name "scripts", I name the file `wacom-Thinkpad-Yoga-370.sh`. I copy paste the content bellow. Then I right click on the file, go to "Properties", "Permissions" tab and add the "is executable" permission. I then create a launcher in my Plasma menu (good to quickly launch it after a change). You can find how to do it in my previous chapter about the Krita appimage.
```
#! /bin/bash
# License: WTFPL/CC-0/Public-Domain license
# author: Deevad / www.peppercarrot.com
# ------------------------
# THINKPAD YOGA 370 STYLUS
# ------------------------
# Tablet identifiers
YogaStylus="Wacom Pen and multitouch sensor Pen stylus"
YogaFinger="Wacom Pen and multitouch sensor Finger touch"
YogaEraser="Wacom Pen and multitouch sensor Pen eraser"
xsetwacom --set "$YogaStylus" MapToOutput "eDP-1"
xsetwacom --set "$YogaFinger" MapToOutput "eDP-1"
# Stylus buttons:
xsetwacom --set "$YogaStylus" Button 2 Button 3
xsetwacom --set "$YogaEraser" Button 1 "key +ctrl button 1 key -ctrl" # color picker
# Stylus event filtering:
xsetwacom --set "$YogaStylus" Suppress 2 # data pt.s filtered, default is 2, 0-100
xsetwacom --set "$YogaStylus" RawSample 4 # data pt.s trimmed, default is 4, 1-20
# Pressure sensitivity curve
# The tablet has a large range, I tend to soften the curve
# See : https://linuxwacom.github.io/bezier.html
# slight Sigmoid "S" curve
# xsetwacom --set "$YogaStylus" PressureCurve 45 100 20 100
# A little bit firmer
# xsetwacom --set "$YogaStylus" PressureCurve 15 0 100 100
# Slightly firm
#xsetwacom --set "$YogaStylus" PressureCurve 50 0 100 100
# super firm
#xsetwacom --set "$YogaStylus" PressureCurve 50 0 100 50
```
I also create a start-up rule. Open the System-Settings, and go to "Startup and Shutdown", then on "Autostart" and on this panel you can add (+Add button) a shortcut to your script.
**About the script:**
Getting the second button to right-click was easy, just move button2 to button3. On the other hand, cheating with the first button's 'eraser mode' was tricky. As I said in the video, the bottom button is not really a 'button' on this type of device, but a mode switch. Pressing it changes the address of the tip to the address of an eraser (a bit like flipping the eraser side of a normal Wacom pen; it's a different device).
Fortunately, the xsetwacom syntax allows a workaround: "key +ctrl button 1 key -ctrl", a series of three actions, i.e. hold down ctrl, click on the tip and release the hold on the tip. The action is really fast; and Krita will still show the eraser tool if you hold it down. But you can check your colour picker: it does not paint, it picks a colour.
I also map the finger and stylus device to output "eDP-1"; the built-in screen. If you don't do this, you'll be in for a surprise when you connect an external device to your tablet to draw on a HDMI projector (bad default: the active area is stretched across both displays, making it impossible to draw).
At the end of the script, you'll find a lot of lines commented starting with a `#` character. This line are not for the computer, it skips them, and useful to add comment on the code for other human, or to deactivate the effect of a line of code. You'll find a lot of settings to tweak the curve firmness of the stylus, they are commented by default.
## Colour calibration
The display is very good. It's a pleasure to see the colour after calibration. Without calibration... err... A little too gamma-bright and slightly greenish/blueish. It will mess up your colour values and tones if you leave it like that.
I use a XRite ColorMunki Smile USB device (you can find them for cheap on the second hand market) and the ArgyllCMS command line. In a terminal:
```
sudo dnf install argyllcms
```
You can also install [DisplayCal via Flatpak](https://flathub.org/apps/net.displaycal.DisplayCAL) if you prefer an interface. But I kept using the terminal because 'it just works' where always tools like that had period of being unmaintained and broken.
Below is an example of lines I use to generate my ICC. I used the "auto" one to get more cd/m² (this device screen has a lot of light).
```
# Whitepoint: As mesured
# White level: Custom, 160 cd/m²
# Tone curve: Gamma 2.2
# Calibration speed : High
dispcal -d 1 -t 6500 -b 160 -g 2.2 -yl -v -o outputfilename
# or auto
dispcal -d 1 -yl -v -o outputfilename
```
Once I have my ICC, I store it on my 'scripts' directory and load it with `dispwin` command line at startup. (see the Stylus xsetwacom script 'how to' to know how to add a script at startup).
```
dispwin -d 1 /home/username/path/to/myfresh.icc
```
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_color-calibration.jpg)
_Color calibration with dispcal on Linux in process with my XRite ColorMunki Smile._
## Conclusion
That's all for the base building block of transforming this machine into a digital painting machine.
With these recommendations, you should be able to have a good mobile painting GNU/Linux device for not super expensive. For my part, I have already travelled a lot with it and I love it. 😻
I have already used this laptop for many events and artistic creations. It has a very easy compatibility with any HDMI projectors thanks to the 1080p 16/9 ratio and that makes it a beast for presentations, conferences and demos. It's also very light to carry around in my bag.
My favourite: last month at the GeekFaeries 2023 festival, where I was able to use it outside to paint on the 10 metre high wall of a castle in front of a crowd of people. I just set up a black canvas, Krita in full screen and drew pictures with a thin white brush. To access the shortcuts, I kept the backlit keyboard. Here is my digital graffiti on the theme of 'Dracula'.
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_external-screen-geekfaeries-2023-a_net.jpg)
_Photo of my setup during the GeekFaeries 2023 festival, connected to a powerful projector outside at night._
[](data/images/blog/2023/2023-06-27_lenovo-370-on-linux_external-screen-geekfaeries-2023-b_net.jpg)
_Photo of my digital graffiti on the theme of 'Dracula', on a 10 metre high wall of castle, with vines trees in foregrounds._
## Useful links and sources
**Top ones:**
- [Youtube video: Wacom Bamboo Ink Plus Pen Review, MobileTechReview](https://www.youtube.com/watch?v=Xw-Yty0vTws)
- [Youtube video:Lenovo ThinkPad Yoga 370 Review, MobileTechReview](https://www.youtube.com/watch?v=lKJfvvGGr08)
- [ArchLinux wiki: Lenovo ThinkPad Yoga 370](https://wiki.archlinux.org/title/Lenovo_ThinkPad_Yoga_370)
**Other:**
- [ArchLinux wiki: Laptop/Lenovo big compatibility table](https://wiki.archlinux.org/title/Laptop/Lenovo)
- [Youtube video: Wacom Cintiq Lite! - Review Lenovo Thinkpad Yoga 370, Teknosias Reviews](https://www.youtube.com/watch?v=2c5S1hkB-30)
- [Youtube video: Lenovo Yoga artist review and drawing demo, Michael Clarida Arts](https://www.youtube.com/watch?v=DlG_keiBD40)
- [Reddit comment with a goldmine of info about AES digitizers](https://www.reddit.com/r/stylus/comments/wu0rt1/about_mpp_and_aes/)
- [Wacom article on AES digitizer](https://www.wacom.com/en-us/for-business/technologies/aes) and [EMR digitizers](https://www.wacom.com/en-us/for-business/technologies/emr)
- [Lenovo PDF manual Yoga 370, Hardware Maintainance](https://download.lenovo.com/pccbbs/mobiles_pdf/yoga_370_hmm_en_sp40k88757.pdf)
WRITTEN_BY David REVOY -
-
no comments
I am very pleased to have a new print publication from Pepper&Carrot to show you today. It's the Norwegian Nynorsk version from the publisher [Outland Forlag](https://outlandforlag.no/).
This book is the result of a long collaboration between the publisher and the historical translators and maintainers of Pepper&Carrot's Norwegian Nynorsk translation on the website; Arild Torvund Olsen and Karl Ove Hufthammer.
The book is thick, in a large format (21.5cm x 30.3cm, 2cm thick / ~8.4inch x ~11.9inch, for ~0.78inch thick ). It contains episodes 1 to 29, a good 240 pages!
The cover is a reproduction of the illustration made for the English artbook. The same was done by GameTale for the Bulgarian edition.
[](data/images/blog/2023/2023-06-22_outland-forlag-publishing_cover-comparison.jpg)
_Comparison with other books using the same illustration for the cover. (click to enlarge)_
The print quality is first class: a finesse I've rarely seen, and which looks great on the publisher's slightly glossy paper. The gradients are precise and details stand out very well.
[](data/images/blog/2023/2023-06-22_outland-forlag-publishing_paper-and-chapter.jpg)
_Each chapter starts with a full page introduction, and the printing quality is impressive. (click to enlarge)_
The colours are a little more amber than in Glénat's French version or DriveThruComics' English edition, which isn't annoying. It's barely noticeable unless you have a comparison in front of you. In short, this is one of Pepper&Carrot's best and highest quality prints.
[](data/images/blog/2023/2023-06-22_outland-forlag-publishing_colors.jpg)
_A comparison of colors on a panel of episode 13. (click to enlarge)_
In terms of transparency, Outland Forlag is a sponsor of mine, with a set amount of money for each edition of a new book. We have signed a contract together, the main point of which is that the Creative Commons Attribution 4.0 will be the contract of exchange.
I also had a look at the PDF before it went to print, and the information, the attribution and the credits are super accurate and clean. I also received copies, the ones pictured here.
[](data/images/blog/2023/2023-06-22_outland-forlag-publishing_paper-and-credits.jpg)
_The full credits, Arild and Karl are written in big on a page before this one. (click to enlarge)_
So this is an exemplary re-publication, and one that I would highly recommend to all readers of Norwegian Nynorsk.
**You can buy it here:
https://www.outland.no/p-pepar-og-gulrot-9788284010748
**
Thanks again to Arild Torvund Olsen and Karl Ove Hufthammer for their contribution for the translation (you can read it https://www.peppercarrot.com/nn/ ), and to Outland Forlag for making this book real.
WRITTEN_BY David REVOY -
-
3 comments
I'll do signing sessions for my comic books during the festival "Bulles à Croquer" of Saint-Brieuc on the 8 and 9 July. I'm also honored the festival organized a Pepper&Carrot exhibition this year. The entrance is free and you'll find many other authors and activities. I hope I'll meet a lot of you!
**More info:
→ https://www.bullesacroquer.net/festival-bd-edition-2023/**
Picture: a little parody of the poster of the festival with Pepper and an octopus 🐙
WRITTEN_BY David REVOY -
-
11 comments
3 days left before the Pepper&Carrot game jam starts!
It's hosted by Brett Chalupa here:
→ https://itch.io/jam/pepper-carrot-jam
Good luck to the 17 participants who already joined, and because I cannot wait to see the results, I colored a sketch with Pepper and Carrot playing a 'VS Fighter' (Carrot is clearly winning).
WRITTEN_BY David REVOY -
-
5 comments
[youtube]bIJ0yYDOHrw[/youtube]
Watch it on:
- Peertube: https://peertube.touhoppai.moe/w/oU74hKW7xGuAfVjrL4Kkoi
- Youtube: https://youtu.be/bIJ0yYDOHrw
I just posted a new video with my solutions for mobile digital painting on GNU/Linux! It's not sponsored, about a refurbished 5 y/o hardware, and relatively low budget. 🙂
It's the Lenovo Yoga 370 (2017) and Wacom Bamboo ink plus stylus running on Fedora 38 KDE, talking about the obstacles, issues I met on my quest to find a device to paint on GNU/Linux, with only Free/Libre and Open-Source software.
